We really like where the design of the kaleidoscope P has come to. Is there a way this concept could be extended to the entire word PARTI possible using a blocker font to suit the fragmented colours?
We love how you have explored colour in the development of the P. It now suggests a kaleidoscope and I think your design has moved beyond its original concept of a cube in the P.
We would like to see your design change tact and pursue this kaleidoscope concept in the typography of 'parti' and are wondering if it could be done using a similar structure for the letters of the P for the other letters. There could be some scope to remove or reduce the gap between these letters to enhance this effect. I would suggest leaving DESIGN STUDIO untreated in this manner.
I hope you are willing to explore this suggestion.
Prefer this treatment of the stylised P to #24. Other comments still valid but would like to see pursued with this design as the starting point.
Thanks
I like the potential play on the geometric pattern in the stylised P. I can see the cube in the negative space because I have seen the process bit is a bit lost. Can this be enhanced somehow? Perhaps with half strength of selected colours to highlight the three sides?
Would like to see a consistent lower case font for Parti and more integration of the concepts explored in the stylised P captured in the general typography of the logo.
Thank you for your ongoing contribution.
I like the P outlining a cube concept. I think it needs to be developed more and more integrated into the design. Would also like to see reference to colour overlays and lower case font as per the brief.
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We really like where the design of the kaleidoscope P has come to. Is there a way this concept could be extended to the entire word PARTI possible using a blocker font to suit the fragmented colours?
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We love how you have explored colour in the development of the P. It now suggests a kaleidoscope and I think your design has moved beyond its original concept of a cube in the P.
We would like to see your design change tact and pursue this kaleidoscope concept in the typography of 'parti' and are wondering if it could be done using a similar structure for the letters of the P for the other letters. There could be some scope to remove or reduce the gap between these letters to enhance this effect. I would suggest leaving DESIGN STUDIO untreated in this manner.
I hope you are willing to explore this suggestion.
Thanks
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Greetings to you. Sorry for the late reply. Here it is #68. Thanks !
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Prefer this treatment of the stylised P to #24. Other comments still valid but would like to see pursued with this design as the starting point.
Thanks
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I like the potential play on the geometric pattern in the stylised P. I can see the cube in the negative space because I have seen the process bit is a bit lost. Can this be enhanced somehow? Perhaps with half strength of selected colours to highlight the three sides?
Would like to see a consistent lower case font for Parti and more integration of the concepts explored in the stylised P captured in the general typography of the logo.
Thank you for your ongoing contribution.
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