1909 GroupLogo Design Contest

Please check variations for spacing (Entry #416/417).
If you need more change to this please let me know.

Thank you.

Hi, I'm nearing pulling the trigger on this one. Does this have the latest spacing iterations? I feel down the line this will provide the most versatility across all mediums.

Thank you

I am ready with all the files and formats as requested, once you confirm winner I can send it all immediately.

Thank you

Variation 5
Brown background/brown inner background - Blue stamp/blue text

Variation 4
Blue background/blue inner background - White stamp/white text

Variation 3
White background/white inner background - Black stamp/blue text

Variation 2
White background/white inner background - Blue stamp/blue text

Please check variations, Entry #410 / 411/ 412/ 413/ 414.

Thank you.

Variation 1
White background/white inner background - Brown stamp/Brown text

Thank you. Glad to hear it.
I can send you all this.

This is the winner. This is the logo. Fantastic!

May we have vectors (.eps files of) this treatment, plus:

White background/white inner background - Brown stamp/Brown text

White background/white inner background - Blue stamp/blue text

White background/white inner background - Black stamp/blue text

Blue background/blue inner background - White stamp/white text

Brown background/brown inner background - Blue stamp/blue text

This version, and other color variation of this design are without shadow effect (as per selected font treatment/feedback #402 + stamp treatment from #400) I just want to reconfirm whether you would prefer it without shadow effect, or need to add shadow effect for these.

FYI, font treatment examples I have shown are, Entry #402 without shadow, and #403 with shadow.

Thank you.

and.. this is other version with font/space change.

Please check revision,
Stamp treatment Entry #400
Font/spacing - Entry #402 (with artifacts)
If you need any changes please let me know.

Thank you.

Let's add a bit of the artifacts into this. Let's take the approved stamp treatment from the other submission and do a version on white in all brown. And that should be the one. From there, it's purely color versions.

This is the stamp treatment. This is the one.

This is the spacing. Excellent.

Entry #402 / 403 for spacing (without artifacts).

ie. as per the feedback given in 389,

- Entry #398 / 399 . 400 / 401 are for background, stamp/font color
- Entry # 402 / 403 are only to show font spacing.
So that, it will be easy for you to decide from one of each above to combine.

I'm sending this way to make it easy for you, but sorry if I am confusing with too many files, and also sorry about taking too long for this revision, as I am doing it carefully without loosing the originality of design.

Please let me know if I have missed anything from your feedback.

Thank you.

Please compare variations - Entry # 398/399 less artifacts
and #400/401 - without.

Also if I have not got this correct or missed anything, please let me know.

Thank you.

When we say 'other stamp effect' this is the one we mean.

Excellent.

This cleanliness on the 1909—also, sorry about this, with the 1909, a very tiny bit more kerning. That's what we think is working with that other font, but we like this one more.

Then, white outer background. Brown inner background, black lettering, black stamp.

And, because we're now on white, changing to the other stamp effect.

Very cool. Putting this on white is really helpful. The only adjustment here would be again cleaning up a bit of the artifacts outside of the 1909. Primarily along the bottom and inside the bottom of both 9s and the 0.

Revision as per feedback (Entry #381)

Please check revision, Entry 391 - 396, (As per feedback #390).

Please let me know if any adjustment needed.

Thank you.

Got it. Thanks

Certainly, I will.

Thank you, I will back soon with these update.

Just an FYI on this. We moved this up to fourth because it's on white and this treatment of the stamp looks great on white. This is part of the reason we're moving all the other treatments to a white outer background as well, so we can make sure that other stamp treatment reads as cool as this one.

Thanks again, we appreciate all your work getting these just right.

We know this is a different font, but there's an advocate for it.

Can we see this one with a white outer background, white inner background, and then all the copy in that brown?

This distressing on the font is great. Excellent job. We're nearly there.

It's now mainly color variations.

First, let's do everything on a white outer background going forward. Not inside the stamp treatment, just the outer palate on white so we can get a sense of how those colors are pulling and the stamp treatment is registering.

With the brown and blue colors locked, the color variations we'd like are:

white inner background - all brown font and stamp

white inner background - all navy font and stamp

white inner background - brown stamp/navy text

white inner background - black text (the monochrome iteration)

brown inner background - navy text and stamp

brown inner background - black text and stamp

And this is another version, less artifact than 388.
ie. 388 with, 389 - without - 390 - less.

So that you can compare all three to decide what more to be added or reduce.

Please let me know.

Thank you.

How about this ?

Honestly, it's tough to see the drop shadow.

But could you remove some of the distressed artifacts outside the "1909" itself. Inside the font is fine, but if we clean up around it, the 1909 should stand out a bit more and we should be there.

Awaiting further instruction. Thank you.

Variation 2 - without drop shadow

Variation - with drop shadow effect (as used in my Entry #174).

I will be back soon, Please feel free to send me a message for other revisions, I will update it all, as soon as i get back.

Thank you.

How about this, Arteffect is combined. wish to see any variations in this? please let me know.

Thank you.

Also, we're really close.
The brown is locked.
The blue is locked.
The font is locked.
The font treatment is nearly there. Great work.

Very cool. A touch more of the gradient and a bit less of the distressing off the font itself. Some of those artifacts can go, but the distressing on the font itself works.

Feedback #382 - white outline

Ok. Done.

Feedback reference Entry#345.
Hope I have got the instruction correct here.

Thank you.

Let's stick with that other brown. That's the one.

Nice! Black may be better on that stamp. Though you may want to go white on the outside background to get a true look at it. A full brown background is pretty overpowering.

Variation 2 (Lighter background to match the blue)

Entry #380 feedback. Variation 1

One tweak on this just so we can make sure we're sold on the specific stamp treatment. Can you use the final font for "1909" and "Group" on this one. Keep the distressing and gradient treatment, just change the face.

That way we can have a side by side comparison of which stamp treatment we want to land on. Once we pick that, and have the distressing on the final font face solid, we'll just be down to different color variations. Great work.

This is great. This is the font for "1909" and "Group."

Three tweaks to this specific look. Let's change the font to white. See if you can bring in some of the distressing & gradient from your submission in first place, and change the color on that stamp outline from black to the blue.

Appreciate if you can check the updated version (before color changes), Entry #378 / 380 / 381 / 381

I have put together, "1909" Font of Entry #345, and font shadow treatment as I did in my Entry #174.
stamp treatment and all other element from my other designs, as requested.

Other font is, Entry #363 font.

If all this ok, I can work on the color changes.

if I am missing anything or need any changes please let me know.

Await your feedback.

Thank you.

Thanks very much for the comment. I will work out the files accordingly.

Thank you.

Excellent. Let's stick with this as the "1909" font for all the treatments. With maybe one other look at something like Newston Inline. But that would be probably the only exception. With that and the two stamp treatments you have, we should have all the elements we need to put together the final version. Great work.

As requested in #345, I am sending the color variations for a selected font, If you like to see any other color variations please feel free to tell me.

Await your feedback.

Thank you.

As per feedback #321
"We are open to the background stamp treatment you've used here as a second option. For example, if/when we do a black and white version and the other doesn't register as well, etc"

Thank you

As per feedback #345

As per Feedback, #363 (Font).

As per Feedback #346,
"Saddle brown: We like the brown you've used here"

RGB 27 54 93, As per feedback on Entry #346.

Font option (Hope you will be interested in this font), my favorite design.

Please check revision update, based on your feedback, I will send you color variations separately.

Awaiting your feedback on these.

Thank you.

Thanks very much for all your feedback.

I will send revision asap.

Thank you.

nce we then dial this all in, we'll do a couple of different color combinations. Blue on brown, brown on blue, white on brown/blue, black & white, etc. But let's nail down the final design overall first, then those color variations should be easier to do.

Lots of notes in different places, sorry about that, it's the way the contest forces you to leave feedback. But please don't hesitate to reach out with any questions.

We are also open to this font face as an alternate choice.

We also like this font face—and treatment, the distressing and the slight gradient. Very nice.

What we would like to see is, on the brown background version of this, is a white font with a drop shadow to give it some depth. Maybe in a complementary yellow/brown or something you feel works.

Color palate:
Saddle brown: We like the brown you've used here,

Blue: We're thinking along the lines of a darker navy. Something like a RGB 27 54 93.

We are open to the background stamp treatment you've used here as a second option. For example, if/when we do a black and white version and the other doesn't register as well, etc.

These look great. Let's start honing this into the final design.

First, if it helps, let's break them down by element.

For the background, the stamp effect:
Our first choice is what you've used here.

Thanks for your feedback.
Please check revisions, #344 / 345 / 346 / 347

I have shown different color options here, If you wish to see more color/font options or need any other changes please let me know.

Thank you.

For the text could we try more of a tan/brown from your other concepts. And maybe look at another longer font. Something like a Newston Inline.

Based on my original wax seal background concept , I have sent you few more variations (Entry #336/ 337 / 338).

If there any change you wish to see, (Font/Color Etc), please let me know :)

Thank you.

Please check my revisions, Entry #316 / 317 / 318 / 319.

If you need any changes please let me know :)

Thank you.

Love the wax seal background. Three notes on this. First, the “0” is too distressed. We might need a different font. The “Group” is too thin to really get a good read on, also, perhaps a different font. Last, that wax seal is great, but that color is reading more burgundy than even a dark saddle. Can you bring that back more toward our color palate?

Please check Revision Entry #293 / 294. Hope I am in right direction.

If you need more changes please let me know.

Thank you.

Thanks very much for your feedback. I will work on it, and send you the revision asap.

Thank you.

We appreciate all the designs, there are a lot of great concepts in here.

In looking at them, we feel the sweet spot is somewhere between the first three concepts.

What we like about these three:

The first one uses the brown/leather palate as a base which gives it a nice western, old-world feel while still staying classy and classic. The second maximizes the color palate and connotes what we do, and the third is a good start on the clean circle concept that will work well across all mediums.

How we can build on these:

1st Concept: The distressed concept is nice, but falls somewhat flat. It’s very minimalist—which we like—but the 1909 itself needs to stand out more and the smaller you go on this, the more you start to lose “group” entirely. For this designer: Perhaps there are notes to take from your Artisan Builders and Kissani Market concepts, while still staying true to that leathery base and look here. In other words, this is an excellent first look, we look forward to the next iteration of it.

2nd Concept: Excellent use of the color palate. This clean governmental look is very well done, but it should be cleaner. For example, we can remove the “est. 2021” and the “lobbying and political campaigns” copy. Specific for this designer: We like the font face for "1909" in this execution. The ‘Group’ treatment starts to feel a little airline-esque though. Also, perhaps a solid bezel around the outside? Sticking with this clean concept, there also might be ways to incorporate some of what you’ve done with your The Duke, Lejon, and B&B Supply work. If that feels too vague, feel free to follow up.

3rd Concept: The cleanest circular execution. It works well across platforms and with an inverted palate, well done. What we’d love to see here is less Art Deco. The font face for 1909 isn’t bad, but the ‘1’ starts to get a bit lost and the accompanying letters skew this too deco. It starts to suggest more of a design company. We’re also not a fan of the lines bisecting the circle itself. For this designer specifically: We like what you did for Bizzie Gold and can see some elements of that might work well if incorporated here.

For the fourth and fifth place designs: We like both of your fonts for 1909 quite a bit. The 4th place design has a nice western feel to the 1909 font and the 5th place font for 1909 does a good job being classic, professional, and works for government affairs. But in the overall designs, as you can see in the notes above, we’re gravitating more toward a circular concept. Look back at the first three designs and see how the direction you’ve started to go in could pivot and work in a round execution. We look forward to your follow-up submissions.

Overall, great work, we’re glad you’re the final five, we encourage you to build on what you’ve done. And we greatly appreciate all the submissions for this contest. Thank you.