Thanks for the update however, it is not really what we are looking for. I think there was some confusion with the messaging.
We really like that you made (COTA) in the shape of a church, however, we were wondering if you could make (COTA) slightly more legible and obvious/easier to read, while still keeping the church shape? Thank you! Let me know if you need more clarification or have any questions!
Hi Ayk. Thanks for submitting the logo, we think this is a very unique and interesting concept
A few points of feedback:
1. Although the conceit of putting the initials in the shape of a church building is interesting, there’s some technical/proportion issues with the execution. For example, some of the letters are a bit non-proportional, including the counter in the a seeming quite large, the t seeming quite tall and stretched out, and the o seeming a bit out of place as the only curve among the set of straight lines. Could you experiment with a few different executions with different approaches to this?
2. To connect to the history of the denomination and the church, we’ll probably end up using a serif (probably a Garamond) as the main typeface for the new website and graphic identity and we’d need the chosen logo to work well with that. I’m not sure whether the current direction will support the font pairing, maybe using such a serif in the lockups could help visualize.
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Thanks for the explanation.
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We really like that you made (COTA) in the shape of a church, however, we were wondering if you could make (COTA) slightly more legible and obvious/easier to read, while still keeping the church shape? Thank you! Let me know if you need more clarification or have any questions!
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Thanks for the comments and feedback
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A few points of feedback:
1. Although the conceit of putting the initials in the shape of a church building is interesting, there’s some technical/proportion issues with the execution. For example, some of the letters are a bit non-proportional, including the counter in the a seeming quite large, the t seeming quite tall and stretched out, and the o seeming a bit out of place as the only curve among the set of straight lines. Could you experiment with a few different executions with different approaches to this?
2. To connect to the history of the denomination and the church, we’ll probably end up using a serif (probably a Garamond) as the main typeface for the new website and graphic identity and we’d need the chosen logo to work well with that. I’m not sure whether the current direction will support the font pairing, maybe using such a serif in the lockups could help visualize.
If you have any feedback and other updates, or suggestions, please let me know. I will do it. :)